《內(nèi)蒙古大學(xué)藝術(shù)學(xué)院學(xué)報(bào)》2013年第2期中英文目錄
“孛兒只斤”（藍(lán)眼睛）——天狼種的標(biāo)志
——阿闌豁阿感生神話傳說再研究………………………………………………阿爾丁夫
40年代蘇尼特右旗女子學(xué)校及其音樂教育………………………………………薩出拉
民族音樂學(xué)一席談……安東尼·西格爾（Anthony Seeger） 著 周麗青 譯 羅易扉 校
論長調(diào)與馬頭琴的同構(gòu)關(guān)系…………………………………………………………布 林
淺論蒙古族三弦演奏技巧與蒙古族民間音樂內(nèi)涵的關(guān)系…………………………李錫波
淺論蒙古高音四胡樂曲的調(diào)素材來源及其構(gòu)成………………………………………包愛玲
從洞經(jīng)音樂到“納西古樂”
——麗江洞經(jīng)音樂的本土化與身份重構(gòu)……………………………………………楊杰宏
辛滬光交響詩《嘎達(dá)梅林》的節(jié)奏特征……………………………………………鞏賀凱
從兒童鋼琴曲《安代傳說》看民族音樂語言的現(xiàn)代闡釋……………………………楊玉蓉
鋼琴協(xié)奏曲《安岱》主題之分析………………………………………………華 夏
青海熱貢“六月會(huì)”儀式音樂敘事解讀
——以同仁縣隆務(wù)鎮(zhèn)四合吉村“六月會(huì)”為例………………………曹婭麗 邸莎若拉
寶雞官村壽峰寺清末壁畫調(diào)查研究…………………………………………………李 強(qiáng)
內(nèi)蒙古錫林郭勒盟烏珠穆沁草原熏皮蒙古袍制作的田野調(diào)查……………………………塞娜
湖南沙坪湘繡轉(zhuǎn)型與發(fā)展的調(diào)研報(bào)告……………………………………………………焦成根
顏色考古學(xué)：昆士蘭西北部宛依彩虹的顏色及力量
…………………………………………保羅·S.C.塔森 著 李修建 楊小暉 譯 李修建 校
淺議如何培養(yǎng)在視覺傳達(dá)設(shè)計(jì)中的創(chuàng)意思維………………………………………敖玉楣
開掘心靈世界的藝術(shù)
——曹禺與奧尼爾劇作表現(xiàn)主義技巧比較………………………………………… 孫曉燕
"Bojigin" (Blue Eyes) ——A Sign of Sirius
—— Re-study of Alanhua's Totem Ingravidation Legend…………………………………Ardinhu
Sunid Right Banner Girl's School and Its Music Education in 1940s…………………Sachira
On the National Musicology
——Reply to Anthony Seagal from Henry Kingsbury…………………………………………
………… Written by Anthony Seeger, Translated by Zhou Li-qing, Proofread by LUO Yi-fei
On the Isomorphism Relation between Long-tuneSongs and Horse-head Musical Instrument
…………………………………………………………………………………………………Buren
The Relationship between Mongolia Sanxian Playing Skillsand Mongolian Folk Music Connotation………………………………………………………………………………LI Xi-bo
Mongolia High Pitch Four-stringed Musical Instrumentand the Source of Its Tune Material
……………………………………………………………………………………… BAO Ai-ling
From the Dongjing Music to "Naxi Ancient Music"
—— The localization and identity reconstruction in Lijiang Dongjing music……………………
……………………………………………………………………………………YANG Jie-hong
The rhythm feature of Xin Hu-guangs Symphonic Poem "Gadamerin"……………………………………………………………………………………………………………GONG He-kai
Viewing the National Musical Language from the Modern Interpretation of the Children's Piano Music " Andai Legend" …………………………………………………YANG Yu-rong
Analysis of theme of the Piano Concerto"Andai "………………………………HUA Xia
Interpretation of the Music Narration of the Qinghai Regong " June Ceremony"
——A case study of " June Ceremony" of Siheji Village, Longwu Town, Tongren Count……………………………………………………………………Cao Yali Di Sha ruo-la
An Investigation of Fresco in the Shoufeng Temple of Baojiguan Village, in the late Qing Dynasty…………………………………………………………………………………LI Qiangn
The Field Work of the Mongolian Smoked Leather Gown Making of Ujumqin Grassland of Xilingol League of Inner Mongolia
——Take smoked leather as the main investigation content…………………………………Saina
Research Report of Hunan Shaping Xiang Embroidery Transformation and Development
……………………………………………………JIAO Cheng-gen XIE Yang-hui SUN Shun-yao
Color Archaeology: Queensland, the Colors of the Rainbow and Strength of Waanyi in the Northwest……………………………………………………………………………………………
………Written by Paul S.C. Tason, Translated by LI XIiu-jianand YANG Proofread by Li Xiu-jian
An Approach to How to Cultivate the Creative Thinking in the Visual Communication Design…………………………………………………………………………………AO Yu-mein
The Art Digging the World of Soul
——A comparative study between Cao Yu and O'neal's expressionist skills of plays
………………………………………………………………………………………SUN Xiao_yan