《內(nèi)蒙古大學藝術(shù)學院學報》2013年第3期中英文目錄
追憶蒙古族長調(diào)大師寶音德力格爾…………………………………莫爾吉胡(5)
金色圣山無字豐碑
——悼念蒙古族長調(diào)大師寶音德力格爾………………………………………烏蘭杰(7)
歷史豐碑功蓋千秋
——緬懷蒙古族長調(diào)（烏日汀哆）藝術(shù)大師寶音德力格爾………………柯沁夫(15)
寶音德力格爾對蒙古族長調(diào)（烏日汀哆）發(fā)展的貢獻…………………………趙紅柔(20)
伶人階級的家族結(jié)構(gòu)論綱…………………………………………………厲震林(25)
清代太原府劇場功能初探……………………………………………………牛白琳(32)
論國家意識形態(tài)在戲改中的滲透…………………………………………劉睿文(40)
論“心象說”…………………………………………………………………敖登(46)
淺談新世紀初期懸疑電影中的兩性沖突………………………………王蘋(52)
電視傳播與“非遺”劇種發(fā)展
——二人臺藝術(shù)的熒屏化發(fā)展思考…………………烏瓊芳1楊超2(57)
形神與藝術(shù)………………………………………………………………納日碧力戈(61)
文化生態(tài)學視角下的景德鎮(zhèn)非物質(zhì)文化遺產(chǎn)的保護和傳承…………李松杰1李興華2(67)
呼和浩特蒙古大營藝術(shù)團音樂活動調(diào)查報告…………………………………姚小雪(72)
民族音樂文化遺產(chǎn)傳承的新模式
——以內(nèi)蒙古大學藝術(shù)學院民族音樂傳承驛站為例…………………苗金海(80)
基于樂器聲學視角的葫蘆絲研究…………………………………歐陽平方1張應(yīng)華2(84)
陜北信天游中的蒙古族民歌音調(diào)探微……………………………………………雅茹(90)
論阿沃·帕特鐘鳴音樂創(chuàng)作的整體風格特征與成因…………………許琛(95)
“大母神”崇拜在東方及其神話顯影……………………………………李祥林(99)
淺析《神路圖》中的藏傳佛教因素………………………………………朱永強(106)
寶雞南坡村“太陽節(jié)”廟會的文化考察……………………………………李東風(111)
淺析蒙古族傳統(tǒng)文化元素在當下建筑中的運用
——以呼和浩特城市建筑為例………………………………………………………趙升紅(116)
探索融合蒙古族民間美術(shù)形象的動畫角色設(shè)計的當代意義……………周金月1周珂2(122)
“文化大革命”時期牛漢詩作中的自然書寫解讀………………………………郭秀琴(125)
本真性的多元化視角：普洱茶在云南和其他地方的消費研究（下）
……………………………………………………………張靜紅1著桂慕梅2黃雋瑾3譯(129)
匈奴的藝術(shù)與考古學在俄羅斯的新發(fā)現(xiàn)…（俄）瑟格瑞·米涅瓦 著瑞雪 譯戈思齊 校(135)
·補白·……………………………………………………(51)(56)(89)(94)(110)
Recll Boyindelger, the Maestro of Mongolian Long Tune…………………………Meregjih(5)
Golden HolyMountain, Invaluable Monument
——Mourn Boyindelger, the Maestro of Mongolian Long Tune…………………………Ulanje(7)
Historical Monument, the Contributions of the Future Generations
——Recll Boyindelger, the Maestro of Mongolian Long Tune (Wurtindu) ………KE Qin-fu(15)
Boyindelger's Contribution to the Development of Mongolian Long Tune (Wurtindu) …………………………………………………………………ZHAO Hong-rou (20)
On the Family Structure of the Actor Class……………………………………LI Zhen-lin(25)
The Function of Taiyuanfu Theatre in Qing Dynasty…………………………NIU Bai-lin(32)
Discuss State Ideology Permeate the Drama Reform………………………LIU Rui-wen(40)
Discuss the Theory of "Inner Image"……………………………………………AO Deng(46)
Discuss The Sexual Conflict in Suspense Movies of the Early New Century…WANG Ping (52)
Television Communication and the Development of the Intangible Heritage Operas
—Thinking of the Development of Er-ren-tai Performing on Screen……………………………
………………………………………………………………WU Qiong-fang1. YANG Chao2(57)
Shape & Spirit And Art…………………………………………………………Naranbilig(61)
Intangible Cultural Heritage of Jingdezhen Protection and Heritage Based on Cultural Ecology………………………………………………………………Li Songjie1Li Xinghua2.(67)
An Investigation on the Musical Activities in Hohhot Mongolian Camp…Yao Xiaoxue (72)
The Station of the National Music Inheritance
——Art College's New Pattern of Creating A Music Cultural Heritage ………Miao Jinhai(80)
A Study on the Cucurbit Flute Regarding the Acoustics of Musical Instruments
……………………………………………………………Ouyang Pingfang1Zhang Yinghua 2 (84)
A Research on Mongolian Folk Tunes among the Xin Tian You in NorthernShanxi…Yaru(90)
The Overall Style Characteristics and Origin of P·rt Arvo’s Tintinnabuli………Xu Chen(95)
The Worship of "The Great Mother" In the East And Its Myth Manifestation
……………………………………………………………………………………LI Xiang-lin(99)
The Tibetan Buddhism Factors in The Road to Heaven…………………Zhu Yongqiang(106)
Study on "Sun Festival" Temple Fair Culture in Nanpo Village in Baoji…LI Dong-feng(111)
Analysis on The Application of The Mongolian Traditional Culture Elements in The Present Construction
——Cited Hohhot Urban Architecture As an Example…………………ZHAO Sheng-hong(116)
On the Contemporary Significance of Animation Characters Design of Mongolian Folk Art Image……………………………………………………………ZHOU Jin-yue1ZHOU Ke2(122)
The interpretation of Niu Han 's poems about nature writing during the period of "The Cultural Revolution of China "………………………………………………Guo Xiu Qin (125)
Foundation of Diverse Perspective: A Study of the Pu 'er Tea Consumption in Yunnan and Other Places (Two) ………………………………………………………………………………
……………Written by ZHANG Jing-hong, Translated by GUI Mu-mei HUANG Jun-jin (129)
Art and Archaeology of The Xiongnu：New Discoveries in Russia…………………………
…………………By Dr. Miniaev（Russia）, Translated by Ruixue, Proofread by Ge Siqi(135)