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《內(nèi)蒙古大學(xué)藝術(shù)學(xué)院學(xué)報》
2012年第1期中英文論文摘要、關(guān)鍵詞
藝術(shù)三維
納日碧力戈
（復(fù)旦大學(xué)社會科學(xué)高等研究院，上海 200433）
摘 要： 在皮爾士指號體系中，對象關(guān)系有“象似” “標(biāo)指” “象征”三類。我們可以用它們來觀察藝術(shù)現(xiàn)象，并試圖證明這三種指號在藝術(shù)現(xiàn)象中同時存在，互動共生、互為環(huán)境、互為結(jié)構(gòu)，可稱為“藝術(shù)三維”。如果我們把藝術(shù)三維和文化人類學(xué)結(jié)合起來，就能夠兼顧藝術(shù)的形、氣、神，就能兼顧物性、心印和語言，也就能更加深刻地思考和回答問題。
關(guān)鍵詞：藝術(shù)三維；象似；標(biāo)指；象征；藝術(shù)現(xiàn)象
Three Dimensions in Art
Naranbilig
(SocialSciencesAcademy of FudanUniversity, Shanghai 200433, China)
Abstract:In Peirce's sign system, there are three object relations: icon, index, symbol. We can use them to observe the phenomenon of art, and try to prove these three signs coexist, are interactive and the environment structure for each other, can be called "artistic three dimensions". If we combine artistic three dimensions and cultural anthropology, we will be able to take into account the form, spirit and image of art and will be able to take into account the properties of the mind and language, will also be able to think and answer questions more deeply.
Key words:three-dimension art; icon; index; symbol; artistic phenomenon
藝術(shù)區(qū)的解構(gòu)與建構(gòu)
——北京798藝術(shù)區(qū)田野考察筆記
劉明亮
（齊魯師范學(xué)院美術(shù)學(xué)院，山東 濟(jì)南 250013）
摘 要：以北京798藝術(shù)區(qū)為例，考察了其藝術(shù)生態(tài)及其變遷。通過數(shù)據(jù)統(tǒng)計和田野考察，客觀呈現(xiàn)了北京798藝術(shù)區(qū)在其建構(gòu)和解構(gòu)的過程中不同力量的變動以及利益轉(zhuǎn)移及其所遇困境，同時指出其解構(gòu)和建構(gòu)的過程仍在進(jìn)行。
關(guān)鍵詞：田野考察；798藝術(shù)區(qū)；建構(gòu)；解構(gòu)；多元互動；變遷
The Deconstruction and Construction of Art Zone
——Fieldwork notes on Beijing 798 Art Zone
LIU Ming-liang
( Art College of QiluNormalUniversity, Jinan 250013,China )
Abstract: Taking Beijing798 Art Zone as an example, this article studies its ecological and the evolution of art. Through the statistical data and field investigation, objectively presents different force change and transfer of interest and its difficulties of Beijing798 Art District in the the process of construction and deconstruction, at the same time points out that the deconstruction and construction is still in progress.
Key words: field investigation; 798Art District; construction; deconstruction; interaction; change
待從頭 收拾舊山河
——新年畫運動分析
亢寧梅
（淮陰師范學(xué)院中文系，江蘇 淮安 223001）
摘 要：新年畫運動是新中國成立以來第一場聲勢浩大的美術(shù)運動，新年畫與新中國圖像形成了復(fù)雜的互文關(guān)系。這種從外部改造藝術(shù)發(fā)展規(guī)律、改造民俗，同時也改造藝術(shù)家的運動對以后的美術(shù)發(fā)展產(chǎn)生了重大影響。它構(gòu)建了民族想象的共同體，表現(xiàn)了共產(chǎn)黨人領(lǐng)導(dǎo)的新政權(quán)的現(xiàn)代性訴求。新年畫運動追求藝術(shù)的功利性，付出了犧牲藝術(shù)自律、損毀傳統(tǒng)民間信仰的巨大代價。
關(guān)鍵詞：新年畫；民俗；意識形態(tài)；民族想象
Clean Up the Old Mountains and Rivers and Start a New Life
——An analysis of the Movement of new New Year paintings
KANG Ning-mei
(Department of